<p>In 1938, in Moscow, the 40th anniversary of Stanislavski's Theatre of Art was celebrated. Today, we can see in Stanislavski's attitude the example of how to behave before a prime secretary or army men regardless of their ...

<p>The cinema of the Russian director Dziga Vertov seen as a cinema-eye, as an attempt to bring cinema and the new technological view near reality, and considered to be a counter-cinema, an anti-cinema, a cinema of information ...

Articulo complementario a la publicación "Manifesto para un nuevo teatro" de Pier Paolo Pasolini, editado en Estudis Escènics Nº 33-34, en papel.

<p>The performance has evolved appreciably from the first action of John Cage and Allan Kaprow to the present-day performances of Laurie Anderson, Michel Lemieux or Monty Cantsin. That genre has developed from the staging ...

Aquest article està editat en paper en el Nº 33-34 d'Estudis Escènics; a causa d'unes errates en una il·lustració no es distribueix en aquest Nº 33-34 on-line, però sí en el Nº 35 (edicions en paper i on-line)

<p>The article explores the dramatic work of Rogelio Orizondo (Santa Clara, 1983) and suggests a search focused on autofiction as a discursive device. By analysing the play <em>Ayer dejé de matarme gracias a ti Heiner ...

Hace tiempo distintos profesionales de la danza intuían que el público que había asistido periódicamente a clases de danza presentaba más capacidad de entender y disfrutar como espectador a un espectáculo de danza versus ...