Search
Now showing items 21-30 of 594
«En attendant Godot»: communication ou incommunication? Une étude du langage de Beckett...
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1974, Núm. 20
Open Access
«El rei Joan». Traducció de Josep Maria de Sagarra
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1973, Núm. 17
Open Access
«Crimen en la Catedral» y el drama poético moderno en Inglaterra
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1960, Núm. 6
Open Access
«Consueta de la historia de Tobías» [«Consueta de la història de Tobies»]
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1962, Núm. 7
Open Access
«Alma y Vida», obra fonamental del teatre de Galdós
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1974, Núm. 18
Open Access
«Alceste»: Tornar a la vida
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1974, Núm. 18
Open Access
«Accions» i La Fura dels Baus
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1986, Núm. 28
Open Access
<div id="articleAbstract">
<div>
<p>La Fura dels Baus has gone across the Iberian Peninsula performing Accions and it has reached Argentine. People has thought that the group was bom with this show but that is not true. We should know its history. La Fura dels Baus appears in 1979 and in 1982 is reorganized. Its first actions have taken place in the streets of Sitges in 1983. Nowadays La Fura is composed of ten members and they define themselves as a theatre-music cooperative. One of the writings signed by the group is entitled “Manifest canalla” and reads as follows: «every action is a practical exercice, an agressive performance against the audience's passivity». Accions is a show which has been constructed in an empiric way: its plasticity is a combination of both painting and sculpture. They have never started from an academic idea to resolve plastic questions. Pyrotechnics are an important element in the show. In Accions there is neither actors nor characters but people perfoming actions. You can only talk about it in full details after having seen the show several times.</p>
</div>
</div>
<div id="articleFullText"> </div>...
Xerrada entre Davide Carnevali i Carles Batlle
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2018, Núm. 43
Open Access
17 de gener de 2018 al’Auditori de l’Institut del Teatre de Barcelona. Arran de la presentació del llibre de Carnevali, Forma dramática y representación del mundo en el teatro europeo contemporáneo, Institut del Teatre / Paso de Gato, Ciudad de México / Barcelona, 2017....
(17 January 2018 at the Auditorium of the Institut del Teatre in Barcelona. On the occasion of the presentation of Carnevali’s book Forma dramática y representación del mundo en el teatro europeo contemporáneo. Institut del Teatre / Paso de Gato: Mexico City / Barcelona, 2017....
(17 January 2018 at the Auditorium of the Institut del Teatre in Barcelona. On the occasion of the presentation of Carnevali’s book Forma dramática y representación del mundo en el teatro europeo contemporáneo. Institut del Teatre / Paso de Gato: Mexico City / Barcelona, 2017....
Xavier, l'excepció
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1989, Núm. 30
Open Access
Xavier Portabella , amic, advocat i astróleg
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Open Access
<p>During the 40's the Catalan theatrical life was restrained, for —till 1946— the censorship did not allow any performance in catalan. In spite of this, secret activities, such as H those taking place in the studio of the painter Xavier Portabella, activities which have not been reported till today, were carried out. Xavier Portabella was acquainted with the theatrical circle of the pre-war period; his studio was roomy and many people used to gather there far conversation. The painter's friends could go to these meetings freely and many of them even had the key of his apartment. Since he belonged to that social circle, Portabella was persuaded to write a play, El caragol i la corbata, from which we publish a passage, preceded by an evocation from his friend Terri.</p>...