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A la cerca del teatre de Galdós
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1974, Núm. 18
Acceso abierto
A manera de manifest
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto
<p>Theatrical activity is waning in Catalonia because of the exigencies of commercial profit. There is an urgent need to set up a theatre of investigation and this requires a theatre law, decentralized theatre policies and publicly financed theatre space (municipal theatres, multi-use houses). This is why we have decided to combine our efforts and propose: a) that work and show space be provided; b) that such space not be altered because of deliberately commercial interests; c) that the theatre of investigation we demand dues not mean a theatre for the “élite”; d) we don't interpret investigation as a lot of isolated experiences; e) the interest, quality and rigor of our previous work guarantee the seriousness of our proposal; f) reference must be made to the player who is not able to accept coherent work cycles, by g) our proposal is open to everyone who believes that theatre is alive and evolving.</p>...
ABSTRACTS IN ENGLISH. Estudis Escènics Nº 35
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 2009, Núm. 35
Acceso abierto
ABSTRACTS IN ENGLISH. Estudis Escènics Nº 36
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 2009, Núm. 36
Acceso abierto
Addenda
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1986, Núm. 28
Acceso abierto
<p>I cannot talk about history out of modesty. Either an admissible experience or a foolishness La Pipironda has got from 1959 till 1966 a stable staff. I have not been the only producer: Florenci Clavé has also produced ...