1983: Núm.: 22

 

Recent Submissions

  • La llum del teatre 

    Banu, Georges
    Article
    Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
    Open Access
    <p>lt is a fact that a large number of directors still feel enthusiastic about lights and use them with great pleasure. Lights and their function in theatre are at crossing where opposite ways both converge and come apart. ...

  • El quadern de direcció d’«Otel·lo», de William Shakespeare, espeblert per Konstantin Stanislavski 

    Abellan, Joan; Melendres, Jaume
    Article
    Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
    Open Access
    <p>This article is a compilation of the conclusions of a seminar where the contents of the direction notebook which Stanislavsky wrote up in Nice in 1929 were analysed in order to direct the group Art's Theatre of Moscow ...

  • «Mary d’Ous», un punt d’inflexió 

    Melendres, Jaume
    Article
    Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
    Open Access
    <p>This work is a compilation of the results of a seminar made by the Department of Theatrical Sciences of the lnstitut del Teatre of Barcelona about the “Analysis of shows recorded in video”; it takes part in the effort, ...

  • Mestres Quadreny, un compositor per als confins teatrals de la música 

    Abellan, Joan
    Article
    Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
    Open Access
    <p>Interview with Josep Mestres Quadreny, a Catalan and postrnodern cornposer, where there are included all the different aspects of his musical training between 1945 and 1955; he refers both to his country's situation and ...

  • Joan Oliver o el «realisme» 

    Formosa, Feliu
    Article
    Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
    Open Access
    <p>Interview between Feliu Formosa and the playwright Joan Oliver (Sabadell, 1899). Joan Oliver was born in the bosom of a traditional family of the bourgeoisie of Sabadell. Since youth he concentrated on Arts and he wrote ...