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dc.contributor.authorCarmona i Rístol, Àngel
dc.date.accessioned2022-12-30T15:43:20Z
dc.date.available2022-12-30T15:43:20Z
dc.date.issued1986
dc.identifier.issn2385-362X
dc.identifier.issn0212-3819
dc.identifier.urihttp://hdl.handle.net/20.500.11904/1338
dc.description.abstract<p>I cannot talk about history out of modesty. Either an admissible experience or a foolishness La Pipironda has got from 1959 till 1966 a stable staff. I have not been the only producer: Florenci Clavé has also produced some plays and his contribution has been unvaluable. La Pipironda is not a finished, historical event despite the fact that there remains nobody from the first period. We do not want either to be colonized or to fall into strict traditionalism; we still perform in pubs and jails, both in Catalan and Castilian. We play Shakespeare, Salvat Papasseit, Lope de Rueda, Oscar Wilde, Garcia Lorca, Aristophanes and Jesus Lizano. Come where La Pipironda celebrates the festivity of the ≪poor theatre≫.</p>
dc.relation.ispartofEstudis escènics: quaderns de l'Institut del Teatre. 1986, Núm. 28
dc.titleAddenda
dc.typeArticle
dc.date.updated2022-12-30T15:43:21Z
dc.rights.accessOpen Access


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