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Dansa i emancipació: el teatre de dansa de Wuppertal
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
Acceso abierto<p>When Pina Bausch took over the direction of the Wuppertal Dance Theatre in the 1973-1974 season, German ballet broke off in a new direction. Her work grew steadily more distanced from the dance concepts of classical ... -
El Principal de València i les representacions teatrals en valencià durant el segle XIX
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
Acceso abierto<p>The Principal Theatre was inaugurated in 1832 and soon became a meeting-place of the new Valencian bourgeoisie. Around it, other establishments appeared which opened their doors to a less select public: among others ... -
Teatre de masses i futbol a Xile: 1939-1979
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
Acceso abierto<p>The so-called “university classic” first appeared in Chile in 1939 as an introductory spectacle at a soccer match. As a show, it gradually developed into an authentic paratheatrical spectacle drawing audiences ranging ... -
A manera de manifest
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>Theatrical activity is waning in Catalonia because of the exigencies of commercial profit. There is an urgent need to set up a theatre of investigation and this requires a theatre law, decentralized theatre policies and ... -
Dues visions del fet cinematogràfic: Juan Gil-Albert i Francisco Ayala
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>In the year 1955 the writer Juan Gil-Albert published a brief text entitled <em>Contra el cine </em>in which, as a mature man and author, he approaches the subject of cinematography. Francisco Ayala had already ... -
El teatre de Carme Montoriol i Puig
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>Carme Montoriol Puig was born in Barcelona in 1893 and died there in 1966. A self-taught woman, she studied music and foreign languages. She acquired a thorough knowledge of French, Italian, German and English. From the ... -
Una lloa profana, en català, de finals del segle XVII
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>The playlet <em>(lloa) </em>is a minor genre, a sort of prologue to the main play. Its purpose is to prepare the audience and its aim is didactic. The lloa we publish here reached us in a mutilated state; it ... -
Qüestions preliminars a la semiòtica teatral
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>This article tries to shed light, by going over a series of texts, on whether it is possible or legitimate to make a semiotic analysis of the theatre and, at the same time, to delimit the relevance —the nature, so to ... -
El risc d'investigar
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
Acceso abierto<p>This is an interview with the self-taught dancer and choreographer Cesc Gelabert. While we accompany him through his choreographies he shows us the loneliness of a long distance runner, the discoveries during the long ... -
Bibliografia Teatral Catalana, 1982-1983
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Acceso abierto -
Entrevista amb Peter Stein
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Acceso abierto<p>Peter Stein has been at the forefront of a team of actors, playwrights and theatrical designers for more than a decade, and he has converted the Schaubühne into one of the most important theatrical initiatives in Europe. ... -
De l'agregació al conveni: vint-i-cinc anys de relacions entre teatres francòfons i poders públics belgues
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Acceso abierto<p>The idea of regularly subsidising companies of dramatic art goes back to the years following the Liberation. The arrangement that was applied until recently, however, originated from two decrees of 9th October, 1957. ... -
El «happening», un intent de definició
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Acceso abierto<p>The happening is a type of entertainment which was born in the United States and which is closely related to the avantgarde. In fact it attempts to extend the notion of theatre to every manifestation of life, as defined ... -
Producció i recepció en el teatre: La concretització del text dramàtic i espectacular
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Acceso abierto<p>A dialectic model applied as much to the aesthetic of production as to the aesthetic of reception is indispensable in dramatic theory, something with dramatic analysis clearly reveals. The (director's) dramatic analysis ... -
Paisatge amb variacions de l'escenografia francesa
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>The distrust of the theatre in the Italian manner has been followed by its revaluation; this coincides with a revival of the interest in image and distance to the detriment of the search for contact and intimacy with ... -
La vida dels objectes
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>The human being maintains a specially intense relationship with everything concerning time and space. The natural surrounding as well as the inanimated universe which surround him are perfect mute interlocutors, cause ... -
La via del refús
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>In 1938, in Moscow, the 40th anniversary of Stanislavski's Theatre of Art was celebrated. Today, we can see in Stanislavski's attitude the example of how to behave before a prime secretary or army men regardless of their ... -
És possible reproduir el nas de Cleópatra?
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>Theatre has often wondered if it is possible to reproduce history. Shakespeare, Schiller and Victor Hugo tried to achieve this purpose and, from another point of view, · on November the 7th 1920, six thousand actors ... -
Xavier Portabella , amic, advocat i astróleg
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>During the 40's the Catalan theatrical life was restrained, for —till 1946— the censorship did not allow any performance in catalan. In spite of this, secret activities, such as H those taking place in the studio of the ... -
Informe sobre política teatral del Departament de Cultura de la Generalitat
Artículo
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
Acceso abierto<p>The Departament de Cultura (Culture Department) of the Generalitat de Catalunya issued at the end of 1984 a long document summarizing the present situation of theatre and pointing out the lines of immediate action. In ...
