Search
Now showing items 16-20 of 79
El «happening», un intent de definició
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
Open Access
<p>The happening is a type of entertainment which was born in the United States and which is closely related to the avantgarde. In fact it attempts to extend the notion of theatre to every manifestation of life, as defined ...
Conferència del 26 de juny de 1982
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1988, Núm. 29
Open Access
<p>After an artistic practice devoted to minimal sculpture, art criticism, movies, artist's books, etc... I began working with sounds and I realized that most of the things I have done are based on words and language.</p>
<p>As regards the series I am just finishing now, United States, it is basically structured in four parts: transportation, politics, money and love. Each section has a kind of direction associated to a hand gesture. One of its main themes is the use of technology as a means.</p>
<p>One of the reasons that I use a lot of filters in sounds is to try to understand voices without bodies. Most of the voices in my work come through very different systems such as the one used in airports, where the speaker's voices is heard over the radio or the TV.</p>
<p>The difference between my work and theatre is that I am neither really creating characters withs pasts and futures, nor relating them to things like motivations. My characters are tones of voices.</p>
<p>I like to make a situation in a performance in which you are not actually really sure whether you have it or seen, it... In relation to that, one question that I used to gest asked a lot was: «What are you? Are you a sculpture ora musician ora filmmaker or what?» I never thought that it was a very important question, but it has something to do with virtuosity. Rather than being technically proficient within the rules of that particular medium, virtuosity is a resonating mechanims of the words where my works come out from.</p>...
Xavier Fàbregas, crític teatral, o l'estratègia del jugador d'escacs
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1989, Núm. 30
Open Access
La posició estratègica que en Xavier Fàbregas tenia des de les editorials, en els jurats de premis, l’Institut del Teatre, etc., li va permetre descobrir i fer descobrir autors joves i obres de teatre de dramaturgs clàssics ...
El teatre, la festa, el mite, el ritual quotidià
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1989, Núm. 30
Open Access
La important obra que com a crític i historiador teatral realitzà en Xavier Fàbregas ha enfosquit, en bona part, un altre vessant del seu treball investigador: tot allò que es refereix al seu treball com a divulgador i ...
La llum del teatre
Article
Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
Open Access
<p>lt is a fact that a large number of directors still feel enthusiastic about lights and use them with great pleasure. Lights and their function in theatre are at crossing where opposite ways both converge and come apart. ...