Browsing 1984: Núm.: 24 by Title

Now showing items 1-5 of 5

    • Dansa i emancipació: el teatre de dansa de Wuppertal 

      Servos, Norbert
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>When Pina Bausch took over the direction of the Wuppertal Dance Theatre in the 1973-1974 season, German ballet broke off in a new direction. Her work grew steadily more distanced from the dance concepts of classical ...

    • El Principal de València i les representacions teatrals en valencià durant el segle XIX 

      Sirera, Josep Lluís
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>The Principal Theatre was inaugurated in 1832 and soon became a meeting-place of the new Valencian bourgeoisie. Around it, other establishments appeared which opened their doors to a less select public: among others ...

    • Federico García Lorca: dramaturg o director? 

      Cámara, Isabel
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>In his book&nbsp;<em>Federico y su mundo,&nbsp;</em>Francisco García Lorca contends that the stage in his brother's plays “ ... opens up not only towards the spectator but towards an afterlife surrounding the stage”. ...

    • L’escenografia de Fabià Puigserver 

      Abellan, Joan
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>The Catalan scenographer and theatrical director Fabià Puigserver has created more than a hundred scenographic and wardrobe projects, mainly for shows produced in Catalonia but also for ones in Madrid and beyond the ...

    • Teatre de masses i futbol a Xile: 1939-1979 

      Obregón, Osvaldo
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>The so-called “university classic” first appeared in Chile in 1939 as an introductory spectacle at a soccer match. As a show, it gradually developed into an authentic paratheatrical spectacle drawing audiences ranging ...