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dc.contributor.authorAbellan, Joan
dc.date.accessioned2022-12-30T16:13:32Z
dc.date.available2022-12-30T16:13:32Z
dc.date.issued1984
dc.identifier.issn2385-362X
dc.identifier.issn0212-3819
dc.identifier.urihttp://hdl.handle.net/20.500.11904/1366
dc.description.abstract<p>The Catalan scenographer and theatrical director Fabià Puigserver has created more than a hundred scenographic and wardrobe projects, mainly for shows produced in Catalonia but also for ones in Madrid and beyond the Spanish border. Internationally he is probably best-known for his contribution to Víctor García's staging of&nbsp;<em>Yerma&nbsp;</em>by García Lorca. Fabià Puigserver stands in the first rank among those who have dedicated themselves over the past twenty years to the revival of the Catalan theatre. From the last years of the Agrupació Dramàtica de Barcelona (ADB) to the peak years of the Escola d'Art Dramàtic Adrià Gual (EADAG) at the present Teatre Lliure in Barcelona which he co-founded, he has collaborated in bringing up to date many dramatic concepts that go beyond the limits of mere stage decoration. This article penetrates into his prolific work through analysis of his popularity and achievements and measures the conclusions of critics against the author's own opinions of the material studied. This double review of all of Fabià Puigserver's scenographic work also constitutes an absorbing general reflection on the technique and theory of space, wardrobe and stage materials and contributes to the study of a fundamental&nbsp;<em>piece&nbsp;</em>within the evolution of the contemporary Catalan stage.</p>
dc.relation.ispartofEstudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
dc.titleL’escenografia de Fabià Puigserver
dc.typeArticle
dc.date.updated2022-12-30T16:13:33Z
dc.rights.accessOpen Access


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