Escenificar Labiche. Elogi de l’apart

dc.contributor.author	Melendres, Jaume
dc.date.accessioned	2022-12-30T16:29:24Z
dc.date.available	2022-12-30T16:29:24Z
dc.date.issued	1983
dc.identifier.issn	2385-362X
dc.identifier.issn	0212-3819
dc.identifier.uri	http://hdl.handle.net/20.500.11904/1370
dc.description.abstract	<p>The relations between form and philosophy, between dramatic structure and world's conception are the purpose of this article based on two experiences of staging Labiche. J. M. emphasizes the central part played, in the vaudeville by Labiche, by the aside technique, source of humour and also essential element in order to express the Labiche's deep philosophic pessimism. Finally, he analyses some problems posed, from the point of view of actors and scenography, by a dramatic art which is subjected neither to the verisimilitude's criterion nor to a manicheist conception of the characters.</p>
dc.relation.ispartof	Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
dc.title	Escenificar Labiche. Elogi de l’apart
dc.type	Article
dc.date.updated	2022-12-30T16:29:25Z
dc.rights.access	Open Access