RedIT: Enviaments recents

Ara es mostren els documents 221-240 de 952

    • Un nou teatre en somni 

      Carner Ribalta, Josep
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Accés obert
      <p>In 1936 this author was appointed Commissar of Entertainments of the Generalitat, and while he was carrying out his task, he became aware of the deficiencies suffered the show business, as regards both drama and cinema. ...

    • Federico García Lorca: dramaturg o director? 

      Cámara, Isabel
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Accés obert
      <p>In his book&nbsp;<em>Federico y su mundo,&nbsp;</em>Francisco García Lorca contends that the stage in his brother's plays “ ... opens up not only towards the spectator but towards an afterlife surrounding the stage”. ...

    • L’escenografia de Fabià Puigserver 

      Abellan, Joan
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Accés obert
      <p>The Catalan scenographer and theatrical director Fabià Puigserver has created more than a hundred scenographic and wardrobe projects, mainly for shows produced in Catalonia but also for ones in Madrid and beyond the ...

    • Dansa i emancipació: el teatre de dansa de Wuppertal 

      Servos, Norbert
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Accés obert
      <p>When Pina Bausch took over the direction of the Wuppertal Dance Theatre in the 1973-1974 season, German ballet broke off in a new direction. Her work grew steadily more distanced from the dance concepts of classical ...

    • El Principal de València i les representacions teatrals en valencià durant el segle XIX 

      Sirera, Josep Lluís
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Accés obert
      <p>The Principal Theatre was inaugurated in 1832 and soon became a meeting-place of the new Valencian bourgeoisie. Around it, other establishments appeared which opened their doors to a less select public: among others ...

    • Teatre de masses i futbol a Xile: 1939-1979 

      Obregón, Osvaldo
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Accés obert
      <p>The so-called “university classic” first appeared in Chile in 1939 as an introductory spectacle at a soccer match. As a show, it gradually developed into an authentic paratheatrical spectacle drawing audiences ranging ...

    • A manera de manifest 

      Anguera, Joan; Mesalles, Jordi; Ollé, Joan; Planella, Pere
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>Theatrical activity is waning in Catalonia because of the exigencies of commercial profit. There is an urgent need to set up a theatre of investigation and this requires a theatre law, decentralized theatre policies and ...

    • Dues visions del fet cinematogràfic: Juan Gil-Albert i Francisco Ayala 

      Pallach Aloguín, Mariantònia
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>In the year 1955 the writer Juan Gil-Albert published a brief text entitled&nbsp;<em>Contra el cine&nbsp;</em>in which, as a mature man and author, he approaches the subject of cinematography. Francisco Ayala had already ...

    • El teatre de Carme Montoriol i Puig 

      Fransitorra, Albina
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>Carme Montoriol Puig was born in Barcelona in 1893 and died there in 1966. A self-taught woman, she studied music and foreign languages. She acquired a thorough knowledge of French, Italian, German and English. From the ...

    • Una lloa profana, en català, de finals del segle XVII 

      Vila, Pep
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>The playlet&nbsp;<em>(lloa)&nbsp;</em>is a minor genre, a sort of prologue to the main play. Its purpose is to prepare the audience and its aim is didactic. The lloa we publish here reached us in a mutilated state; it ...

    • Qüestions preliminars a la semiòtica teatral 

      Burguet i Ardiaca, Francesc
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>This article tries to shed light, by going over a series of texts, on whether it is possible or legitimate to make a semiotic analysis of the theatre and, at the same time, to delimit the relevance —the nature, so to ...

    • El risc d'investigar 

      Cerezo, Cesc
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 25
      Accés obert
      <p>This is an interview with the self-taught dancer and choreographer Cesc Gelabert. While we accompany him through his choreographies he shows us the loneliness of a long distance runner, the discoveries during the long ...

    • Bibliografia Teatral Catalana, 1982-1983 

      Delgado, Josep-Francesc
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
      Accés obert

    • Entrevista amb Peter Stein 

      Oller, Victor L.
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
      Accés obert
      <p>Peter Stein has been at the forefront of a team of actors, playwrights and theatrical designers for more than a decade, and he has converted the Schaubühne into one of the most important theatrical initiatives in Europe. ...

    • De l'agregació al conveni: vint-i-cinc anys de relacions entre teatres francòfons i poders públics belgues 

      Quaghebeur, Marc
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
      Accés obert
      <p>The idea of regularly subsidising companies of dramatic art goes back to the years following the Liberation. The arrangement that was applied until recently, however, originated from two decrees of 9th October, 1957. ...

    • El «happening», un intent de definició 

      Arnabat, Anna
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
      Accés obert
      <p>The happening is a type of entertainment which was born in the United States and which is closely related to the avantgarde. In fact it attempts to extend the notion of theatre to every manifestation of life, as defined ...

    • Producció i recepció en el teatre: La concretització del text dramàtic i espectacular 

      Pavis, Patrice
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 26
      Accés obert
      <p>A dialectic model applied as much to the aesthetic of production as to the aesthetic of reception is indispensable in dramatic theory, something with dramatic analysis clearly reveals. The (director's) dramatic analysis ...

    • Paisatge amb variacions de l'escenografia francesa 

      Banus, George
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
      Accés obert
      <p>The distrust of the theatre in the Italian manner has been followed by its revaluation; this coincides with a revival of the interest in image and distance to the detriment of the search for contact and intimacy with ...

    • La vida dels objectes 

      Abellan, Joan
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
      Accés obert
      <p>The human being maintains a specially intense relationship with everything concerning time and space. The natural surrounding as well as the inanimated universe which surround him are perfect mute interlocutors, cause ...

    • La via del refús 

      Barba, Eugenio
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1985, Núm. 27
      Accés obert
      <p>In 1938, in Moscow, the 40th anniversary of Stanislavski's Theatre of Art was celebrated. Today, we can see in Stanislavski's attitude the example of how to behave before a prime secretary or army men regardless of their ...