<p>Interview between Feliu Formosa and the playwright Joan Oliver (Sabadell, 1899). Joan Oliver was born in the bosom of a traditional family of the bourgeoisie of Sabadell. Since youth he concentrated on Arts and he wrote ...

<p>Cinema, drama and television are languages composed of some groups of signs, and we will only be able to know the specific character of each entertainment if before we can define them separately. Between drama and cinema, ...

<p>The translation of a language into another one has always pursued the aim to incorporate, for whatever reason it may be, a work belonging to a certain language and culture into the translator's language and culture; the ...

<p>Since 1975 there have been several bills that tried to get a legal framework where the dramatic activity could be inserted. Finally, 26th. March 1982, the Partit Socialista Unificat de Catalunya (communist) presented ...

<p>In his book&nbsp;<em>Federico y su mundo,&nbsp;</em>Francisco García Lorca contends that the stage in his brother's plays “ ... opens up not only towards the spectator but towards an afterlife surrounding the stage”. ...

<p>When Pina Bausch took over the direction of the Wuppertal Dance Theatre in the 1973-1974 season, German ballet broke off in a new direction. Her work grew steadily more distanced from the dance concepts of classical ...

<p>The so-called “university classic” first appeared in Chile in 1939 as an introductory spectacle at a soccer match. As a show, it gradually developed into an authentic paratheatrical spectacle drawing audiences ranging ...

<p>In the year 1955 the writer Juan Gil-Albert published a brief text entitled&nbsp;<em>Contra el cine&nbsp;</em>in which, as a mature man and author, he approaches the subject of cinematography. Francisco Ayala had already ...

<p>The playlet&nbsp;<em>(lloa)&nbsp;</em>is a minor genre, a sort of prologue to the main play. Its purpose is to prepare the audience and its aim is didactic. The lloa we publish here reached us in a mutilated state; it ...

<p>This is an interview with the self-taught dancer and choreographer Cesc Gelabert. While we accompany him through his choreographies he shows us the loneliness of a long distance runner, the discoveries during the long ...