Now showing items 12-22 of 22

    • Manifests Are Meant to Clear the Air and Challenge – Nobody Has the Right to Obey 

      Schmutz, Christina
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>The commentary classifies Roger Bernat’s and Roberto Fratini’s FFF manifest, published in 2018, as an artistic praxis. It shows that the drafting itself of a manifest can be understood as a performative practice: the ...
    • Matadero Madrid: Modern Ruin, City of the Arts 

      González Juárez, Elva Araceli
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>In the mid-20th century theatre creators such as Artaud, Grotowski and Brook, driven by a different vision of the mise-en-scène, developed major reflections on the performing space, which took them to use abandoned ...
    • "Moving objects" Who moves whom? Who moves what? 

      Brnčić, Constanza
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p><em>Moving objects</em>&nbsp;is a performative practice that I have been developing for four years in different contexts. Through a simple proposal (or action score), participants move objects that were already in a ...
    • Parlar com a acte d’autoempoderament - instal·lació teatral i dispositiu de mediació tècnica al museu - Numax-Fagor-Plus de Roger Bernat 

      Schmutz, Christina
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>Sobre la base de l’exemple de la producció&nbsp;<em>Numax-Fagor-Plus</em>, del director català Roger Bernat, l’article debat l’estructura paradoxal d’un dispositiu tècnic, tot establint relacions amb aspectes d’un ...
    • Place-making from the Urban Palimpsest 

      Golda-Pongratz, Kathrin
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>Based on the concept of the city as a palimpsest, a kind of constant superimposition of physical layers and traces of tangible and ephemeral memories to be explored again in each historical moment and each urban path, ...
    • Què té el carrer? Dimensions d’un hàbitat creatiu 

      Sambola, Oriol Martí
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>Aquest article identifica sis aproximacions definitòries del carrer creatiu: la dimensió urbanística, la política, l’artística, la simbòlica, la tecnològica i l’atmosfèrica, presentades a través dels seus perquès, els ...
    • The Ignorance of Participation as an Act of Poetic Resistance: Introduction to the Manifest of the Company FFF: "The Friendly Face of Fascism" 

      Pedullà, Carmen
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>The following introduction seeks to provide some of the main characteristics of the scenic poetics set out in the manifest "FFF: The Friendly Face of Fascism. For an Aesthetics of Devices" that Roger Bernat and Roberto ...
    • The Site-Specific Projects of Teatro Potlach: The City as Set Design and Dramaturgy 

      Sansone, Vincenzo
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>Teatro Potlach is an Italian theatre company founded in 1976 by Pino Di Buduo and Daniela Regnoli in a little village, Fara In Sabina, after a period of training by the two young people at Odin Teatret, under the ...
    • Theatre and Architecture in Palma 

      Aloy Bibiloni, Guillem
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>The study of the place of theatre in Palma is research that shows its existing,&nbsp;closed and vanished venues throughout the history of the city. It is apreliminary and ongoing inventory covering 98 performance spaces, ...
    • Theatre Architecture Mapping: Catalogue of Berlin Performing Spaces 

      Newesely, Bri
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>The digital reproduction of the theatre architecture collection of the Technische Universität Berlin provides extensive documentation for research and contextualisation. With more than 10,000 photographs, drawings and ...
    • Urban Ruptures as Pre-Existing Potentials of Theatre: The Arnau Project 

      Cristoforidi, Kyriaki
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
      Open Access
      <p>In this article, we will start from the axiom that, as a place of confluence of opposing forces, the city provides the conditions for various ruptures to manifest as urban circumstances and as structuring and destructuring ...