Browsing 2019: Núm.: 44 by Title
Now showing items 12-22 of 22
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Manifests Are Meant to Clear the Air and Challenge – Nobody Has the Right to Obey
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>The commentary classifies Roger Bernat’s and Roberto Fratini’s FFF manifest, published in 2018, as an artistic praxis. It shows that the drafting itself of a manifest can be understood as a performative practice: the ... -
Matadero Madrid: Modern Ruin, City of the Arts
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>In the mid-20th century theatre creators such as Artaud, Grotowski and Brook, driven by a different vision of the mise-en-scène, developed major reflections on the performing space, which took them to use abandoned ... -
"Moving objects" Who moves whom? Who moves what?
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p><em>Moving objects</em> is a performative practice that I have been developing for four years in different contexts. Through a simple proposal (or action score), participants move objects that were already in a ... -
Parlar com a acte d’autoempoderament - instal·lació teatral i dispositiu de mediació tècnica al museu - Numax-Fagor-Plus de Roger Bernat
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>Sobre la base de l’exemple de la producció <em>Numax-Fagor-Plus</em>, del director català Roger Bernat, l’article debat l’estructura paradoxal d’un dispositiu tècnic, tot establint relacions amb aspectes d’un ... -
Place-making from the Urban Palimpsest
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>Based on the concept of the city as a palimpsest, a kind of constant superimposition of physical layers and traces of tangible and ephemeral memories to be explored again in each historical moment and each urban path, ... -
Què té el carrer? Dimensions d’un hàbitat creatiu
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>Aquest article identifica sis aproximacions definitòries del carrer creatiu: la dimensió urbanística, la política, l’artística, la simbòlica, la tecnològica i l’atmosfèrica, presentades a través dels seus perquès, els ... -
The Ignorance of Participation as an Act of Poetic Resistance: Introduction to the Manifest of the Company FFF: "The Friendly Face of Fascism"
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>The following introduction seeks to provide some of the main characteristics of the scenic poetics set out in the manifest "FFF: The Friendly Face of Fascism. For an Aesthetics of Devices" that Roger Bernat and Roberto ... -
The Site-Specific Projects of Teatro Potlach: The City as Set Design and Dramaturgy
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>Teatro Potlach is an Italian theatre company founded in 1976 by Pino Di Buduo and Daniela Regnoli in a little village, Fara In Sabina, after a period of training by the two young people at Odin Teatret, under the ... -
Theatre and Architecture in Palma
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>The study of the place of theatre in Palma is research that shows its existing, closed and vanished venues throughout the history of the city. It is apreliminary and ongoing inventory covering 98 performance spaces, ... -
Theatre Architecture Mapping: Catalogue of Berlin Performing Spaces
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>The digital reproduction of the theatre architecture collection of the Technische Universität Berlin provides extensive documentation for research and contextualisation. With more than 10,000 photographs, drawings and ... -
Urban Ruptures as Pre-Existing Potentials of Theatre: The Arnau Project
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2019, Núm. 44
Open Access<p>In this article, we will start from the axiom that, as a place of confluence of opposing forces, the city provides the conditions for various ruptures to manifest as urban circumstances and as structuring and destructuring ...