Browsing 2020: Núm.: 45 by Title
Now showing items 6-11 of 11
-
Pequeño Teatro Dido as Introducer of Theatre of the Absurd in Spain
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>This article focuses on the beginnings of the Theatre of the Absurd in Spanish theatres. It introduces the independent group Pequeño Teatro Dido, which was active between the years 1954 and 1963. This was ... -
Strindberg, l’artista
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>At fifteen minutes, <em>The Stronger </em>(1889) condenses some challenges in the theatrical production of Strindberg: stage time, non-verbal language or dialogue construction of the plot and characters through ... -
Teatros de performers de «personas específicas», presentes (en sedes teatrales de Barcelona, 2006-2012)
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>Entre 2006 y 2012 independientes modelos de creación escénica acontecieron en espacios que suelen acoger <em>teatros y danzas dependientes</em>: productos escénicos ensayados, acabados, eficaces y ... -
The Darmstadt School of Dramatic Art Project (1900) and Its Convergences with the Stanislavski System
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>The present article relates a little known dramatic art school project, linked to the Darmstadt Artists’ Colony, designed by Joseph Maria Olbrich and Hermann Bahr in 1900, to Stanislavski’s System. The main objective ... -
Visual and Sound Analysis of Onírica Mecánica’s ‘Alicia y las ciudades invisibles’. Independent Theatre in Commercial Networks
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>Este trabajo reflexiona sobre la posibilidad de que el teatro independiente encuentre espacio en salas o teatros habitualmente considerados como comerciales, a partir del análisis del espectáculo <em>Alicia y las ... -
Vladimir Tzekov. Laboratory of Stage Action. Dependencies and Independence of Contemporary Theatre
Article
Estudis escènics: quaderns de l'Institut del Teatre. 2020, Núm. 45
Open Access<p>In spring 2008, Santiago del Hoyo and Manuel Bonillo settled in Granada after having worked for three years with the company @lma @lter in Bulgaria. They brought together an unstructured and heterogeneous group of people ...
