Now showing items 181-200 of 929

    • El melodrama expresionista de Valle-Inclán y el extrañamiento dramático 

      González López, Emilio
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • La problemática del teatro del absurdo en España a partir de 1960 

      Esturo, Juan Carlos
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • La teoría del teatro político de Erwin Piscator 

      Solís Díaz, Luís
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • Hacia una interpretación sociológica del teatro de Peter Hacks 

      Isasi Angulo, Amando Carlos
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • «La vida es somni»: del text a l'escena 

      Bernat, Vicent
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • Estructura i funcions a l'obra dramàtica. Anàlisi d'«El retaule del flautista» 

      Broch, Àlex
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1976, Núm. 21
      Open Access
    • La llum del teatre 

      Banu, Georges
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
      Open Access
      <p>lt is a fact that a large number of directors still feel enthusiastic about lights and use them with great pleasure. Lights and their function in theatre are at crossing where opposite ways both converge and come apart. ...
    • El quadern de direcció d’«Otel·lo», de William Shakespeare, espeblert per Konstantin Stanislavski 

      Abellan, Joan; Melendres, Jaume
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
      Open Access
      <p>This article is a compilation of the conclusions of a seminar where the contents of the direction notebook which Stanislavsky wrote up in Nice in 1929 were analysed in order to direct the group Art's Theatre of Moscow ...
    • «Mary d’Ous», un punt d’inflexió 

      Melendres, Jaume
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
      Open Access
      <p>This work is a compilation of the results of a seminar made by the Department of Theatrical Sciences of the lnstitut del Teatre of Barcelona about the “Analysis of shows recorded in video”; it takes part in the effort, ...
    • Mestres Quadreny, un compositor per als confins teatrals de la música 

      Abellan, Joan
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
      Open Access
      <p>Interview with Josep Mestres Quadreny, a Catalan and postrnodern cornposer, where there are included all the different aspects of his musical training between 1945 and 1955; he refers both to his country's situation and ...
    • Joan Oliver o el «realisme» 

      Formosa, Feliu
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 22
      Open Access
      <p>Interview between Feliu Formosa and the playwright Joan Oliver (Sabadell, 1899). Joan Oliver was born in the bosom of a traditional family of the bourgeoisie of Sabadell. Since youth he concentrated on Arts and he wrote ...
    • Bibliografia teatral catalana, 1980-1981 

      Equip Editorial,
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
    • Futur de l’espectador davant l’espectacle 

      Fàbregas, Xavier
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>Cinema, drama and television are languages composed of some groups of signs, and we will only be able to know the specific character of each entertainment if before we can define them separately. Between drama and cinema, ...
    • Fenomenologia i semiòtica del teatre 

      Marty, Robert
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>This article attempts to show that Ch. S. Peirce's phenomenology and semiotics can help in approaching in scientific terms the theory of drama (and more generally speaking of entertainment), thus providing an answer to ...
    • Josep M. de Sagarra, traductor 

      Alcover Vidal, Jaume
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>The translation of a language into another one has always pursued the aim to incorporate, for whatever reason it may be, a work belonging to a certain language and culture into the translator's language and culture; the ...
    • Escenificar Labiche. Elogi de l’apart 

      Melendres, Jaume
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>The relations between form and philosophy, between dramatic structure and world's conception are the purpose of this article based on two experiences of staging Labiche. J. M. emphasizes the central part played, in the ...
    • Una frustració: la proposició de Llei de Teatre 

      Teixidor, Jordi
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>Since 1975 there have been several bills that tried to get a legal framework where the dramatic activity could be inserted. Finally, 26th. March 1982, the Partit Socialista Unificat de Catalunya (communist) presented ...
    • Un nou teatre en somni 

      Carner Ribalta, Josep
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1983, Núm. 23
      Open Access
      <p>In 1936 this author was appointed Commissar of Entertainments of the Generalitat, and while he was carrying out his task, he became aware of the deficiencies suffered the show business, as regards both drama and cinema. ...
    • Federico García Lorca: dramaturg o director? 

      Cámara, Isabel
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>In his book&nbsp;<em>Federico y su mundo,&nbsp;</em>Francisco García Lorca contends that the stage in his brother's plays “ ... opens up not only towards the spectator but towards an afterlife surrounding the stage”. ...
    • L’escenografia de Fabià Puigserver 

      Abellan, Joan
      Article
      Estudis escènics: quaderns de l'Institut del Teatre. 1984, Núm. 24
      Open Access
      <p>The Catalan scenographer and theatrical director Fabià Puigserver has created more than a hundred scenographic and wardrobe projects, mainly for shows produced in Catalonia but also for ones in Madrid and beyond the ...